Meet again at dawn

Meet again at dawn. Sardinia, Italy

“Meet again at dawn”. Sunrise on the island of Serpentara, southern Sardinia, seen from Punta Molentis. The first lights illuminate the sky and paint it with warm colors, which delicately overlap the blue of the night. A very thin crescent Moon is still visible just above the island, before disappearing into the daylight.
A simple polarizing filter was useful to capture this scene, as well as, of course, a night spent out getting ready for the five thirty sunrise…

EXIF:
Camera: Pentax K-3
Lens: Sigma 35mm f/1.4 DG HSM Art
Focal lenght: 35mm
Shutter time: 2,5 s
Aperture: F/8
Sensitivity: ISO100
 

Pinnacles of stars

Pinnacles of stars: the Milky Way in southern Sardinia, Italy.

“Pinnacles of stars”. During a perfectly clear night, the Milky Way rises just above the sea stacks of Sparrow’s Nest, in the small island of St. Antioco in Sardinia, Italy. The favorable weather’s conditions helped me in capturing the bright core of the galaxy and a great amount of stars.

EXIF:
Camera: Pentax K-3
Lens: Samyang 16mm f/2 ED AS UMC CS
Focal lenght: 16mm
Shutter time: 13 s
Aperture: F/2
Sensitivity: ISO1250
 

 

Stones and stars

Stones and stars: the Milky Way in southern Sardinia, Italy.

“Stones and stars”. Above a rocky stretch of coast in the southern part of Sardinia, the Milky Way rises in the clear sky of the night, showing the bright core in all its beauty.

EXIF:
Camera: Pentax K-3
Lens: Samyang 16mm f/2 ED AS UMC CS
Focal lenght: 16mm
Shutter time: 13 s
Aperture: F/2
Sensitivity: ISO1250
 

 

Pointing to the core

Pointing to the core: the Milky Way in southern Sardinia, Italy.

“Pointing to the core”. First photograph of the Milky Way of the summer 2020, taken in the south of Sardinia on a particularly clear and serene night. The island is one of the places in Italy with the least amount light pollution, making particularly easy to catch the faint light emitted by the Milky Way.
In this shot the planet Jupiter shines bright on the left of the Milky Way’s core and its light is reflected on the surface of the sea.

EXIF:
Camera: Pentax K-3
Lens: Samyang 16mm f/2 ED AS UMC CS
Focal lenght: 16mm
Shutter time: 13 s
Aperture: F/2
Sensitivity: ISO1250
 

 

Watching the horizon

Watching the horizon: twilight colors in a rocky cove, Sardinia, Italy

Watching the horizon in south western Sardinia, Italy. The harsh and serrated outlines of a rocky cove stand out against the polished and clear surface of the sea, during a vivid twilight.
In winter, finding heavenly coves to capture the beauty of sardinian sunsets is an amazing experience. Every stretch of coast hides a treasure, giving endless possibilities.
To capture this view, I’ve used an ultra wide angle lens with just one filter attached: a 2 stops gruaduated ND, aligned with the horizon, which darkened it and balanced the overall brightness of the scene. Differently to what it could seem, it was very dark: infact, the sun was set more than half an hour before. Therefore, there’s been no need to use a full ND filter to reach 30 seconds of exposure time.

EXIF:
Camera: Pentax K-3
Lens: Sigma 10-20mm f/3.5 EX DC HSM
Focal lenght: 11mm
Shutter time: 30 s
Aperture: F/8
Sensitivity: ISO100
 

 

Carved pond

Carved pond: seascape with the blue hour colors, Sardinia, Italy

Carved pond. The sun has finally set, after a long and hot day of summer. The last light diffuses in the warm and humid air, painting a soft gradient of colors that mirrors on the still and shiny surface of a pond, inside the ancient punic quarry of Pixinnì, guarded by a watchtower.
The elements which I’ve wanted to put in relation one another in this photograph are the clean sky, whose delicate colors are mirrored on the polished surface of the water, and the harsh rocks of the quarry, whose rough surfaces have been carved first by the hands of men and then by the action of the wind and the water. As a result, there’s almost a sense of harmony between the opposites.
To capture this view I’ve used an ultra wide angle lens and two filters: a 6 stops ND which extended the exposure time to two minutes, smoothing out in this way the surface of the sea, and a 2 stops graduated ND filter, which darkened the sky just enough for better balancing the brightness of the scene. Then, with a fairly straightforward post processing, I’ve adjusted the local contrasts and the color balance of the scene, with the use of the luminosity masking.

EXIF:
Camera: Pentax K-3
Lens: Sigma 10-20mm f/3.5 EX DC HSM
Focal lenght: 10mm
Shutter time: 120 s
Aperture: F/8
Sensitivity: ISO100
 

 

Umbrian skies – Infinite layers of beauty

Umbrian skies: Infinite layers of beauty. Landscape of Umbria countryside, Italy.

Umbrian skies: Infinite layers of beauty. During my stay in Umbria, I’ve been amazed several times during spring by the clear skies and the pure white, foamy clouds. This scenery, for instance, immediately captured my attention, maybe because I’m not used to seeing so many clouds all together, but the thing that surely struck me was the pattern and the sense of deepness created by their repetition up to the horizon (the name “layers of beauty” takes inspiration from this). Everything, under a sky like this, appeared smaller to me, even the mountains which dominate the landscape.
To take this shot I took advantage of a circular polarizer, which deepened the intensity of the colors.

EXIF:
Camera: Pentax K-3
Lens: Pentax SMC DA* 50-135mm F2.8 ED [IF] SDM
Focal lenght: 50mm
Shutter time: 1/200 s
Aperture: F/5.6
Sensitivity: ISO100

 

 

The jade cove

The jade cove. Seascape of a rocky cove in Sardinia, Italy.

The jade cove, south western Sardinia, Italy. The bright light of the afternoon reveals the colors of a rocky cove, from the lush green of some small bushes, to the tones of jade and turquoise of a crystal clear sea.
To represent the movement of the clouds pushed gently by the wind, I’ve used a 10 stops ND filter, while to empasize the clearness of the water close to the rocks I’ve used a circular polarizer. The strong light coming from beyond the promontory has required the use of a graduated ND filter, so that the brightness of the upper part of the frame could be managed by the camera sensor, falling into its dynamic range capability.

EXIF:
Camera: Pentax K-3
Lens: Sigma 10-20mm 3.5 EX DC HSM
Focal lenght: 10mm
Shutter time: 46 s
Aperture: F/7.1
Sensitivity: ISO100

 

 

Old man canine – Seascape of Sardinia

Old man canine. Seascape of a rocky shoreline in Sardinia, Italy.

South western Sardinia, Italy. In a narrow cove, a rock rises above the other, with a singular shape which reminds the one of an old man canine, eroded in this case by the water and the wind. I’ve used a 10 stops ND filter and a graduated ND filter, to smooth the water and balance the light in the scene.

EXIF:
Camera: Pentax K-3
Lens: Sigma 10-20mm 3.5 EX DC HSM
Focal lenght: 10mm
Shutter time: 25 s
Aperture: F/7.1
Sensitivity: ISO100

 

 

Threshold of Earth – The sun rises through the Torii

Threshold of Earth.

Threshold of Earth. A part of the study of the connection between the Torii and the natural elements which surround it. The Torii is an iconic japanese structure belonging to Shinto shrines, in other words it’s a gate that represents the passage from the secular world to a sacred one. In this photograph I’ve aligned the rising sun and the Torii with the intent of representing this one as a threshold of a passage that connects our world with the sun, one of the most sacred natural elements, that gives life to our planet and venerated by human being since the dawn of history.
This photograph required some of planning. I wanted to align the rising sun with the Torii, positioning the latter at the same time at an angle of 45 degrees. As a result, the two opposite pillars of the gate would have pointed directly the sun. In order to obtain this “construction”, I made use of a useful smartphone’s app which keeps track of the ephemeris and the relative position of the stars in relation to the photographer’s point of shooting. The app has simplified this planning significantly, reducing at the same time the chance of failure. After that, the shoot and the subsequent post processing have been fairly straighforward: essentially, it’s a simple silhouette which required some adjustments in contrast and color, plus a crop to my taste to modify the aspect ratio of the image, making it appear wider.

EXIF:
Camera: Pentax K-3
Lens: Pentax HD DA 20-40mm F2.8-4 Limited DC WR
Focal lenght: 36mm
Shutter time: 1/1000 s
Aperture: F/9
Sensitivity: ISO100

 

This photograph has been awarded with a nomination in the 2017 edition of the Fine Art Photography Awards: Crossing the threshold of Earth” – Category Open Theme

 

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