Cosmos watchtower

Cosmos watchtower

“Cosmos watchtower”. Southern Sardinia. An ancient coastal watchtower looks out over the night sea, under a majestic Milky Way that cuts the sky in half.

To achieve this night landscape it took some planning, to be in the right place at the right time, with the Milky Way in a vertical position, high enough over the horizon and aligned with the tower. After that, in order to capture as much light as possible, while keeping the stars point-like and at the same time containing the unevitable digital noise, a mix of shooting and post-production techniques became mandatory: multiple exposures with different shooting parameters for sky and earth, darkframes to map the digital noise, subsequent alignment and editing of the resultants, thus obtaining the final scene. All performed with common photographic equipment, without specific tools such as a star tracker.

EXIF:
Camera: Pentax K-3
Lens: Samyang 16mm F2 ED AS UMC CS
Focal lenght: 16mm
Shutter time: 15×13 s
Aperture: F/2.2
Sensitivity: ISO1250
 

 

Secret cove

Secret cove

“Secret cove”. Southwestern coast of Sardinia, Italy. As a rainy and windy day comes to an end, the colors of the sunset paint the sky and the crystal clear water of an hidden cove with vivid and deep shades of blue and pink.

This shot required a 9-stop solid ND filter to extend the shutter speed to nearly 2 minutes, plus a 3-stop graduated ND filter to darken the sky and balance the overall brightness and contrast of the scene. In this way, emphasis was given to the fast movement of the clouds pushed by the wind and the transparency of the water of the cove.

EXIF:
Camera: Pentax K-3
Lens: Sigma 10-20mm f/3.5 EX DC HSM
Focal lenght: 10mm
Shutter time: 91 s
Aperture: F/8
Sensitivity: ISO100
 

The bliss of tranquility

The bliss of tranquility

“The bliss of tranquility”. A fleeting moment of perfect beauty in Sardinia, Italy. The bright and warm light of the sunset illuminates the clouds and, near the lakeshore on which they are reflected, some horses placidly graze.

EXIF:
Camera: Pentax K-3
Lens: Sigma 35mm f/1.4 DG HSM Art
Focal lenght: 35mm
Shutter time: 1/60 s
Aperture: F/8
Sensitivity: ISO200
 

 

Castelsardo magic

Castelsardo magic

“Castelsardo magic”. Sardinia, Italy. The ephemeral magic of the blue hour tinges the landscape of Castelsardo with a vibrant magenta, before giving way to the darkness of the night.

The peculiarity of this photograph is that it’s actually made of two shots taken at a distance of several minutes from each other while maintaining the position of the camera and the composition unchanged. The reason for this is the intention to merge the vivid colors of the blue hour and the lights of the town into a single image.
In fact, in the first shot, the scene is bright, colorful and detailed, but the town is “switched off” and a little flat and dull. So, after this first long exposure, it was sufficient to wait for the time the urban lighting was switched on and take a second, shorter shot.
By doing so, it was possible to obtain a more vivid and brilliant scene: the fortress on which the Castel dei Doria (or Castel Genovese) stands is illuminated by spotlights that highlight the texture of the rocky wall, while the coastal tower of Frigiano is illuminated by a magenta reflector, like the color of the sky. The street lamps and the lights of the houses accompany them. The atmosphere is completed by reflections on the still water of the inlet.

To merge the two shots, it was necessary to elaborate them in Photoshop, setting the first file of the blue hour as the base layer and the second file with the lights on as the upper layer. So the blending mode of the top layer was set to “lighten”. In this way, each brighter pixel was superimposed on that of the lower layer, thus obtaining a final image composed of 99% by the base layer, plus the small portions of the upper layer related to the lights of the town.
The only slightly tricky step was the method of blending the reflections on the water since they required a soft, natural gradient. To do this, it was necessary to reveal a further portion of the upper level, darker, relating to the water of the inlet, through a special handmade mask. In this way, with the slightly darker water, the reflections on it of the lights were brighter, maintaining, in any case, the naturalness and realism of the whole scene.

EXIF:
Camera: Pentax K-3
Lens: Sigma 10-20mm F3.5 EX DC HSM
Focal lenght: 14mm
Shutter time: 20 s
Aperture: F/5.6
Sensitivity: ISO100
 

 

Blue mirror

Blue mirror

“Blue mirror”. The blue hour fills the sky above Cagliari with vivid and deep colors, while the warm light of the set sun fades, disappearing behind the clouds and the horizon. The running clouds and the skyline of the city, in which the Sella del Diavolo can be recognized, as well as the many lights and street lamps of the Poetto seafront, are reflected on the shiny surface of the Molentargius pond.

This observation point, in addition to being appreciated by birdwatchers due to the proximity to the flamingos that feed and nest in the area, often offers beautiful views to those who love landscapes.
Thanks to the vastness of the salt pond, free from architectural visual impediments of the city, it is easy to enjoy spectacular sunsets, especially in the case of particular climatic conditions. In this case, immediately after a downpour, the clear sky has given great visibility (you can even glimpse the mountainous elevations of the Capoterra area, about 20km away as the crow flies). Moreover, the clouds still present have drawn soft and sinuous shapes in the sky (among which the one in the center of the frame could recall the silhouette of the Sella del Diavolo promontory).

To take this shot, I’ve used two filters. A 2-stop graduated ND filter helped to reduce the brightness of the sky on the horizon, and a 6-stop solid ND filter allowed the camera to extend the shutter speed to over 2 minutes. In this way, the global brightness of the scene is better balanced, while the surface of the water is free from even the smallest ripples, and the movement of the clouds is emphasized.

EXIF:
Camera: Pentax K-3
Lens: Samyang 16mm f/2 ED AS UMC CS
Focal lenght: 16mm
Shutter time: 125 s
Aperture: F/7.1
Sensitivity: ISO100
 

 

Salar de Cagliari

Salar de Cagliari

“Salar de Cagliari”. A clear sky, studded with clouds that have recently brought a downpour, is mirrored on the shiny surface of the Molentargius salt ponds, during a sunset with vibrant colors. A scenery like this has many elements in common with the wonderful Salar de Uyuni, but in a smaller version, in beautiful Sardinia.

EXIF:
Camera: Pentax K-3
Lens: Samyang 16mm f/2 ED AS UMC CS
Focal lenght: 16mm
Shutter time: 1/4 s
Aperture: F/8
Sensitivity: ISO100
 

 

Dark mirror

Dark mirror: Milky Way mirrored on a pond in South Sardinia, Italy

Dark mirror, Southern Sardinia, Italy. In a perfect night of new moon, the Milky Way shows the bright core in all its magnificence. A faint reflection of it is perceivable on the still surface of a little pond, separated from the sea by a thin edge of rock.
Technically speaking, this is a fairly basic shot to execute. However, since the APS-C sensor of my camera and the lens I use are not exactly the best in class to shoot the Milky Way, I resorted to a “trick” which allows to improve the final image quality. Specifically, in order to capture as mush light as possible without incurring in an excessive noise penalty and avoiding at the same time the star trailing, I’ve blended 10 exposures for the sky, plus 4 for the foreground, with the addition of the dark frame.

EXIF:
Camera: Pentax K-3
Lens: Samyang 16mm f/2 ED AS UMC CS
Focal lenght: 16mm
Shutter time: 13 s
Aperture: F/2.5
Sensitivity: ISO3200
 

 

Carved pond

Carved pond: seascape with the blue hour colors, Sardinia, Italy

Carved pond. The sun has finally set, after a long and hot day of summer. The last light diffuses in the warm and humid air, painting a soft gradient of colors that mirrors on the still and shiny surface of a pond, inside the ancient punic quarry of Pixinnì, guarded by a watchtower.
The elements which I’ve wanted to put in relation one another in this photograph are the clean sky, whose delicate colors are mirrored on the polished surface of the water, and the harsh rocks of the quarry, whose rough surfaces have been carved first by the hands of men and then by the action of the wind and the water. As a result, there’s almost a sense of harmony between the opposites.
To capture this view I’ve used an ultra wide angle lens and two filters: a 6 stops ND which extended the exposure time to two minutes, smoothing out in this way the surface of the sea, and a 2 stops graduated ND filter, which darkened the sky just enough for better balancing the brightness of the scene. Then, with a fairly straightforward post processing, I’ve adjusted the local contrasts and the color balance of the scene, with the use of the luminosity masking.

EXIF:
Camera: Pentax K-3
Lens: Sigma 10-20mm f/3.5 EX DC HSM
Focal lenght: 10mm
Shutter time: 120 s
Aperture: F/8
Sensitivity: ISO100
 

 

Guarding the pool

Guarding the pool. Sunset over an ancient quarry in Sardinia, Italy.

Guarding the pool. South western Sardinia, Italy. Sunset over a unique place on the coast: where, during the punic age (about 8th century BC) there was a quarry, now there’s a pool, whose water mirrors the colors of the sky and gives a glimpse of the submerged stones. The thin line of eroded rocks divides the the perfectly still pool from the rough sea, making this scenery even more fascinating. Further on, a watchtower built in a more recent era, dominates the promontory and guards the entire coastline.
To make this photograph I’ve used a 4 stops ND filters and a 2 stops graduated ND filter: the first one helped to extend the exposure time, emphasizing the movement of the waves, while the second one darkened the sky, balancing the light in the scene.

EXIF:
Camera: Pentax K-3
Lens: Sigma 10-20mm f/3.5 EX DC HSM
Focal lenght: 10mm
Shutter time: 1,6 s
Aperture: F/7.1
Sensitivity: ISO100

 

 

Last snow on the Kinkakuji golden pavilion in Kyoto

Last snow on the Kinkakuji.

Last snow on the Kinkakuji. After a light snowfall in Kyoto, some white spots still adorn the dark roofs of the Kinkakuji golden pavilion and its surrounding garden. The lightly rippled surface of the pond reflects the shiny color of this unique monument.

EXIF:
Camera: Pentax K-3
Lens: Pentax smc DA 18-135mm f/3.5-5.6 ED AL [IF] DC WR
Focal lenght: 28mm
Shutter time: 1/500 s
Aperture: F/5.6
Sensitivity: ISO200

 

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