High Nest

High Nest

“High Nest”. Late afternoon’s light on the promontory of Capo Malfatano, Southern Sardinia. The diagonal side light of a cloudy day with a little haze colored the landscape with soft hues, giving it an almost dreamlike atmosphere. One of the most interesting things of this place is its diverse morphology: in this case I’ve found a high vantage point, taking the photograph from the edge of a sheer cliff. Doing so, I tried to replicate the point of view of a bird of prey from his nest, dominating the surrounding land.

EXIF:
Camera: Pentax K-3
Lens: Sigma 10-20mm f/3.5 EX DC HSM
Focal lenght: 10mm
Shutter time: 1/100 s
Aperture: F/5.6
Sensitivity: ISO100
 

 

Impact III

Impact III

“Impact III”. Western coast of Sardinia, Italy. A sea storm hits the coast; the waves, breaking on the rocks, rise into the air and fall, flowing in many small streams.

EXIF:
Camera: Pentax K-3
Lens: Pentax SMC DA* 50-135mm f/2.8 ED (IF) SDM
Focal lenght: 50mm
Shutter time: 1/320 s
Aperture: F/4
Sensitivity: ISO400
 

 

Impact II

Impact II

“Impact II”. Second shot of the “Impact” series. Western Sardinia; a storm hits the coast, creating walls of water that, pushed by the wind, disperse falling over the line of the rocks and bathing a green meadow studded with flowers.
What fascinated me about this scene is an aspect that I often find in the landscapes I photograph: the strength and majesty of very different natural elements, which apparently seem to collide as if to annihilate each other, but which are actually part of each other, in a perfect and delicate harmony.

From a technical point of view, to take the photos of this series, no particular precautions were necessary, except to use equipment with a high degree of tropicalization: the Pentax K-3 camera and the Pentax smc DA * 50-135mm f / 2.8 ED (IF) SDM lens are part of the “flagship” line of this brand’s offering and boast virtually unmatched levels of resistance to extreme weather conditions.
Moreover, to capture the scene it was sufficient to set a shutter speed fast enough to freeze the motion and splashes of the waves.

EXIF:
Camera: Pentax K-3
Lens: Pentax SMC DA* 50-135mm f/2.8 ED (IF) SDM
Focal lenght: 50mm
Shutter time: 1/200 s
Aperture: F/5.6
Sensitivity: ISO640
 

 

Impact I

Impact I

“Impact I”. Western coast of Sardinia; natural elements collide with each other during a storm, in a manifestation of power and beauty.

EXIF:
Camera: Pentax K-3
Lens: Pentax SMC DA* 50-135mm f/2.8 ED (IF) SDM
Focal lenght: 50mm
Shutter time: 1/320 s
Aperture: F/4
Sensitivity: ISO400
 

 

Sunrise on the flooded beach

Sunrise on the flooded beach.

Sunrise on the flooded beach; Poetto seafront, Cagliari, after a day of heavy downpour and storm surge. The warm light of the sun illuminates the completely flooded beach, making the puddles shine, while the Devil’s Saddle promontory seems to float on a thin and bright line of salty haze.
Three filters were needed to capture this view: a 9-stop solid ND to extend the shutter speed to one and a half minutes; a 2-stop graduated ND to reduce the brightness of the sky; a circular polarizer to make the colors slightly more intense and to darken the portion of the sky at the top right, thus giving more prominence to the light of dawn.

EXIF:
Camera: Pentax K-3
Lens: Samyang 16mm f/2 ED AS UMC CS
Focal lenght: 16mm
Shutter time: 94 s
Aperture: F/7.1
Sensitivity: ISO100
 

 

Castelsardo magic

Castelsardo magic

“Castelsardo magic”. Sardinia, Italy. The ephemeral magic of the blue hour tinges the landscape of Castelsardo with a vibrant magenta, before giving way to the darkness of the night.

The peculiarity of this photograph is that it’s actually made of two shots taken at a distance of several minutes from each other while maintaining the position of the camera and the composition unchanged. The reason for this is the intention to merge the vivid colors of the blue hour and the lights of the town into a single image.
In fact, in the first shot, the scene is bright, colorful and detailed, but the town is “switched off” and a little flat and dull. So, after this first long exposure, it was sufficient to wait for the time the urban lighting was switched on and take a second, shorter shot.
By doing so, it was possible to obtain a more vivid and brilliant scene: the fortress on which the Castel dei Doria (or Castel Genovese) stands is illuminated by spotlights that highlight the texture of the rocky wall, while the coastal tower of Frigiano is illuminated by a magenta reflector, like the color of the sky. The street lamps and the lights of the houses accompany them. The atmosphere is completed by reflections on the still water of the inlet.

To merge the two shots, it was necessary to elaborate them in Photoshop, setting the first file of the blue hour as the base layer and the second file with the lights on as the upper layer. So the blending mode of the top layer was set to “lighten”. In this way, each brighter pixel was superimposed on that of the lower layer, thus obtaining a final image composed of 99% by the base layer, plus the small portions of the upper layer related to the lights of the town.
The only slightly tricky step was the method of blending the reflections on the water since they required a soft, natural gradient. To do this, it was necessary to reveal a further portion of the upper level, darker, relating to the water of the inlet, through a special handmade mask. In this way, with the slightly darker water, the reflections on it of the lights were brighter, maintaining, in any case, the naturalness and realism of the whole scene.

EXIF:
Camera: Pentax K-3
Lens: Sigma 10-20mm F3.5 EX DC HSM
Focal lenght: 14mm
Shutter time: 20 s
Aperture: F/5.6
Sensitivity: ISO100
 

 

Meet again at dawn

Meet again at dawn. Sardinia, Italy

“Meet again at dawn”. Sunrise on the island of Serpentara, southern Sardinia, seen from Punta Molentis. The first lights illuminate the sky and paint it with warm colors, which delicately overlap the blue of the night. A very thin crescent Moon is still visible just above the island, before disappearing into the daylight.
A simple polarizing filter was useful to capture this scene, as well as, of course, a night spent out getting ready for the five thirty sunrise…

EXIF:
Camera: Pentax K-3
Lens: Sigma 35mm f/1.4 DG HSM Art
Focal lenght: 35mm
Shutter time: 2,5 s
Aperture: F/8
Sensitivity: ISO100
 

The nest

The nest: twilight over sea stacks in Sardinia, Italy.

“The nest”. The sea stacks of Nido dei passeri (Sparrows’ Nest) in St. Antioco island, Sardinia, at twilight. While the last warm light gives way to the cold tints of the forthcoming night, the calm sea gently brushes the bottom of the pillars.

EXIF:
Camera: Pentax K-3
Lens: Samyang 16mm f/2 ED AS UMC CS
Focal lenght: 16mm
Shutter time: 107 s
Aperture: F/5.6
Sensitivity: ISO100
 

 

Dragon scales

Dragon scales: a minimalist seascape of wild nature in Sardinia, Italy.

“Dragon scales”. As the dorsal scales of a sea dragon, these rocks emerge on the surface. The water flows across the saw-toothed spikes as they put up resistance to the movement of the sea.
This kind of sceneries attracts me a lot, due to the strong contrasts they are made of: solid against liquid, rough against smooth, dark against bright. This is the complementarity that represents the inner beauty of nature and I find it very fascinating.

EXIF:
Camera: Pentax K-3
Lens: Pentax SMC D-FA 100mm f/2.8 Macro WR
Focal lenght: 100mm
Shutter time: 10 s
Aperture: F/7.1
Sensitivity: ISO100
 

This photograph has been awarded at the following international photography competition:
– Honorable Mention in the 2020 edition of the ipa Int’l Photography Awards: “Dragons scales” – Category Fine Art Landscapes

 

Paradise sunset

Paradise sunset: vivid colors in a rocky stretch of coast, Sardinia, Italy

Paradise sunset. The warm light of the setting sun has painted the running clouds with vivid colors, balancing the harshness of the windswept rocks. This is one of my favourite conditions in Sardinian seascape and landscapes, where the opposites meet one another: soft and hard, bright and gloomy, vivid and muted. This kind of complementarity is one of the things I often search for.
Taking this photo didn’t require any specific technique; in fact, as for other similar cases, I’ve used a 10 stops ND filter to extend the exposure time, making the clouds movement more visible, plus a 2 stops graduated ND filter to darken the sky a bit. However, the thing that complicated the shooting has been the strong wind coming from the sea: this caused an intermittent spraying of seawater droplets on the filter, forcing me to clean-shoot-check-clean-shoot-checkagain. To make things worse, a 30 seconds exposure is a lot of time in a situation like this. As a result, due to the unsuccessful attempts and the time needed to clean and mount the filter again, just a couple of shots turned out to be really usable.

EXIF:
Camera: Pentax K-3
Lens: Samyang 16mm f/2 ED AS UMC CS
Focal lenght: 16mm
Shutter time: 30 s
Aperture: F/4
Sensitivity: ISO100
 

 

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