Jump in the sea

Jump in the sea

“Jump in the sea”. On the west coast of Sardinia, among all the wonders that nature offers in this beautiful island, there is something truly special: the only one of its kind in Italy, is the Capo Nieddu waterfall. The thing that makes this waterfall unique is the vertical jump of about 40 meters that the small Riu Salighes makes directly on the small pebbly cove, right in front of the sea.
The view is fascinating, due to the majestic wall of basalt from which the brook flows, and the warm light of the sunset that saturates the colors makes the scenery even more spectacular.

To capture the magnificence of this sight, including the setting sun, I’ve decided to compose a panorama made of 4 vertical shots. As a result, the view is much wider if compared to a single horizontal shot, and it stretches from the cliff and its waterfall to the horizon. Moreover, in order to balance the brightness of the scene, I’ve used a 2 stop graduated ND filter to darken the sky a bit.

EXIF:
Camera: Pentax K-3
Lens: Sigma 10-20mm f/3.5 EX DC HSM
Focal lenght: 14mm
Shutter time: 1/13 s
Aperture: F/7.1
Sensitivity: ISO100
 

High Nest

High Nest

“High Nest”. Late afternoon’s light on the promontory of Capo Malfatano, Southern Sardinia. The diagonal side light of a cloudy day with a little haze colored the landscape with soft hues, giving it an almost dreamlike atmosphere. One of the most interesting things of this place is its diverse morphology: in this case I’ve found a high vantage point, taking the photograph from the edge of a sheer cliff. Doing so, I tried to replicate the point of view of a bird of prey from his nest, dominating the surrounding land.

EXIF:
Camera: Pentax K-3
Lens: Sigma 10-20mm f/3.5 EX DC HSM
Focal lenght: 10mm
Shutter time: 1/100 s
Aperture: F/5.6
Sensitivity: ISO100
 

 

Impact III

Impact III

“Impact III”. Western coast of Sardinia, Italy. A sea storm hits the coast; the waves, breaking on the rocks, rise into the air and fall, flowing in many small streams.

EXIF:
Camera: Pentax K-3
Lens: Pentax SMC DA* 50-135mm f/2.8 ED (IF) SDM
Focal lenght: 50mm
Shutter time: 1/320 s
Aperture: F/4
Sensitivity: ISO400
 

 

Impact II

Impact II

“Impact II”. Second shot of the “Impact” series. Western Sardinia; a storm hits the coast, creating walls of water that, pushed by the wind, disperse falling over the line of the rocks and bathing a green meadow studded with flowers.
What fascinated me about this scene is an aspect that I often find in the landscapes I photograph: the strength and majesty of very different natural elements, which apparently seem to collide as if to annihilate each other, but which are actually part of each other, in a perfect and delicate harmony.

From a technical point of view, to take the photos of this series, no particular precautions were necessary, except to use equipment with a high degree of tropicalization: the Pentax K-3 camera and the Pentax smc DA * 50-135mm f / 2.8 ED (IF) SDM lens are part of the “flagship” line of this brand’s offering and boast virtually unmatched levels of resistance to extreme weather conditions.
Moreover, to capture the scene it was sufficient to set a shutter speed fast enough to freeze the motion and splashes of the waves.

EXIF:
Camera: Pentax K-3
Lens: Pentax SMC DA* 50-135mm f/2.8 ED (IF) SDM
Focal lenght: 50mm
Shutter time: 1/200 s
Aperture: F/5.6
Sensitivity: ISO640
 

 

Impact I

Impact I

“Impact I”. Western coast of Sardinia; natural elements collide with each other during a storm, in a manifestation of power and beauty.

EXIF:
Camera: Pentax K-3
Lens: Pentax SMC DA* 50-135mm f/2.8 ED (IF) SDM
Focal lenght: 50mm
Shutter time: 1/320 s
Aperture: F/4
Sensitivity: ISO400
 

 

The bliss of tranquility

The bliss of tranquility

“The bliss of tranquility”. A fleeting moment of perfect beauty in Sardinia, Italy. The bright and warm light of the sunset illuminates the clouds and, near the lakeshore on which they are reflected, some horses placidly graze.

EXIF:
Camera: Pentax K-3
Lens: Sigma 35mm f/1.4 DG HSM Art
Focal lenght: 35mm
Shutter time: 1/60 s
Aperture: F/8
Sensitivity: ISO200
 

 

Sunrise on the flooded beach

Sunrise on the flooded beach.

Sunrise on the flooded beach; Poetto seafront, Cagliari, after a day of heavy downpour and storm surge. The warm light of the sun illuminates the completely flooded beach, making the puddles shine, while the Devil’s Saddle promontory seems to float on a thin and bright line of salty haze.
Three filters were needed to capture this view: a 9-stop solid ND to extend the shutter speed to one and a half minutes; a 2-stop graduated ND to reduce the brightness of the sky; a circular polarizer to make the colors slightly more intense and to darken the portion of the sky at the top right, thus giving more prominence to the light of dawn.

EXIF:
Camera: Pentax K-3
Lens: Samyang 16mm f/2 ED AS UMC CS
Focal lenght: 16mm
Shutter time: 94 s
Aperture: F/7.1
Sensitivity: ISO100
 

 

Castelsardo magic

Castelsardo magic

“Castelsardo magic”. Sardinia, Italy. The ephemeral magic of the blue hour tinges the landscape of Castelsardo with a vibrant magenta, before giving way to the darkness of the night.

The peculiarity of this photograph is that it’s actually made of two shots taken at a distance of several minutes from each other while maintaining the position of the camera and the composition unchanged. The reason for this is the intention to merge the vivid colors of the blue hour and the lights of the town into a single image.
In fact, in the first shot, the scene is bright, colorful and detailed, but the town is “switched off” and a little flat and dull. So, after this first long exposure, it was sufficient to wait for the time the urban lighting was switched on and take a second, shorter shot.
By doing so, it was possible to obtain a more vivid and brilliant scene: the fortress on which the Castel dei Doria (or Castel Genovese) stands is illuminated by spotlights that highlight the texture of the rocky wall, while the coastal tower of Frigiano is illuminated by a magenta reflector, like the color of the sky. The street lamps and the lights of the houses accompany them. The atmosphere is completed by reflections on the still water of the inlet.

To merge the two shots, it was necessary to elaborate them in Photoshop, setting the first file of the blue hour as the base layer and the second file with the lights on as the upper layer. So the blending mode of the top layer was set to “lighten”. In this way, each brighter pixel was superimposed on that of the lower layer, thus obtaining a final image composed of 99% by the base layer, plus the small portions of the upper layer related to the lights of the town.
The only slightly tricky step was the method of blending the reflections on the water since they required a soft, natural gradient. To do this, it was necessary to reveal a further portion of the upper level, darker, relating to the water of the inlet, through a special handmade mask. In this way, with the slightly darker water, the reflections on it of the lights were brighter, maintaining, in any case, the naturalness and realism of the whole scene.

EXIF:
Camera: Pentax K-3
Lens: Sigma 10-20mm F3.5 EX DC HSM
Focal lenght: 14mm
Shutter time: 20 s
Aperture: F/5.6
Sensitivity: ISO100
 

 

Blue mirror

Blue mirror

“Blue mirror”. The blue hour fills the sky above Cagliari with vivid and deep colors, while the warm light of the set sun fades, disappearing behind the clouds and the horizon. The running clouds and the skyline of the city, in which the Sella del Diavolo can be recognized, as well as the many lights and street lamps of the Poetto seafront, are reflected on the shiny surface of the Molentargius pond.

This observation point, in addition to being appreciated by birdwatchers due to the proximity to the flamingos that feed and nest in the area, often offers beautiful views to those who love landscapes.
Thanks to the vastness of the salt pond, free from architectural visual impediments of the city, it is easy to enjoy spectacular sunsets, especially in the case of particular climatic conditions. In this case, immediately after a downpour, the clear sky has given great visibility (you can even glimpse the mountainous elevations of the Capoterra area, about 20km away as the crow flies). Moreover, the clouds still present have drawn soft and sinuous shapes in the sky (among which the one in the center of the frame could recall the silhouette of the Sella del Diavolo promontory).

To take this shot, I’ve used two filters. A 2-stop graduated ND filter helped to reduce the brightness of the sky on the horizon, and a 6-stop solid ND filter allowed the camera to extend the shutter speed to over 2 minutes. In this way, the global brightness of the scene is better balanced, while the surface of the water is free from even the smallest ripples, and the movement of the clouds is emphasized.

EXIF:
Camera: Pentax K-3
Lens: Samyang 16mm f/2 ED AS UMC CS
Focal lenght: 16mm
Shutter time: 125 s
Aperture: F/7.1
Sensitivity: ISO100
 

 

Salar de Cagliari

Salar de Cagliari

“Salar de Cagliari”. A clear sky, studded with clouds that have recently brought a downpour, is mirrored on the shiny surface of the Molentargius salt ponds, during a sunset with vibrant colors. A scenery like this has many elements in common with the wonderful Salar de Uyuni, but in a smaller version, in beautiful Sardinia.

EXIF:
Camera: Pentax K-3
Lens: Samyang 16mm f/2 ED AS UMC CS
Focal lenght: 16mm
Shutter time: 1/4 s
Aperture: F/8
Sensitivity: ISO100
 

 

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