High Nest

High Nest

“High Nest”. Late afternoon’s light on the promontory of Capo Malfatano, Southern Sardinia. The diagonal side light of a cloudy day with a little haze colored the landscape with soft hues, giving it an almost dreamlike atmosphere. One of the most interesting things of this place is its diverse morphology: in this case I’ve found a high vantage point, taking the photograph from the edge of a sheer cliff. Doing so, I tried to replicate the point of view of a bird of prey from his nest, dominating the surrounding land.

EXIF:
Camera: Pentax K-3
Lens: Sigma 10-20mm f/3.5 EX DC HSM
Focal lenght: 10mm
Shutter time: 1/100 s
Aperture: F/5.6
Sensitivity: ISO100
 

 

Impact III

Impact III

“Impact III”. Western coast of Sardinia, Italy. A sea storm hits the coast; the waves, breaking on the rocks, rise into the air and fall, flowing in many small streams.

EXIF:
Camera: Pentax K-3
Lens: Pentax SMC DA* 50-135mm f/2.8 ED (IF) SDM
Focal lenght: 50mm
Shutter time: 1/320 s
Aperture: F/4
Sensitivity: ISO400
 

 

Impact II

Impact II

“Impact II”. Second shot of the “Impact” series. Western Sardinia; a storm hits the coast, creating walls of water that, pushed by the wind, disperse falling over the line of the rocks and bathing a green meadow studded with flowers.
What fascinated me about this scene is an aspect that I often find in the landscapes I photograph: the strength and majesty of very different natural elements, which apparently seem to collide as if to annihilate each other, but which are actually part of each other, in a perfect and delicate harmony.

From a technical point of view, to take the photos of this series, no particular precautions were necessary, except to use equipment with a high degree of tropicalization: the Pentax K-3 camera and the Pentax smc DA * 50-135mm f / 2.8 ED (IF) SDM lens are part of the “flagship” line of this brand’s offering and boast virtually unmatched levels of resistance to extreme weather conditions.
Moreover, to capture the scene it was sufficient to set a shutter speed fast enough to freeze the motion and splashes of the waves.

EXIF:
Camera: Pentax K-3
Lens: Pentax SMC DA* 50-135mm f/2.8 ED (IF) SDM
Focal lenght: 50mm
Shutter time: 1/200 s
Aperture: F/5.6
Sensitivity: ISO640
 

 

Impact I

Impact I

“Impact I”. Western coast of Sardinia; natural elements collide with each other during a storm, in a manifestation of power and beauty.

EXIF:
Camera: Pentax K-3
Lens: Pentax SMC DA* 50-135mm f/2.8 ED (IF) SDM
Focal lenght: 50mm
Shutter time: 1/320 s
Aperture: F/4
Sensitivity: ISO400
 

 

Sunrise of fire and mist

Sunrise of fire and mist

Northern Lazio, near Lake Bolsena. This is the valley where rises Civita di Bagnoregio, also known as “The dying town”. Dense fog banks submerge the valley floor, while the first rays of light filter through the clouds. This burst of light only lasted for a few seconds; I’ve been lucky enough to have the camera ready on the tripod, waiting for a shy sunrise that, for this reason, I named “of fire and mist”.

EXIF:
Camera: Pentax K-3
Lens: Sigma 35mm f/1.4 DG HSM Art
Focal lenght: 35mm
Shutter time: 1/10 s
Aperture: F/7.1
Sensitivity: ISO100
 

Great Horn

Great Horn

“Great Horn”. Abruzzo, central Italy. Corno Grande, that means Great Horn, is the highest peak of the Gran Sasso massif and of the whole Apennine Mountains. Its unique shape stands out against the skyline and is visible from a great distance. Moreover, the clear sky helped to capture even the smallest details, otherwise invisible in different weather conditions. At the same time, the warm light of the sunset revealed the mountainside’s crags, emphasizing at the same time the three-dimensionality and the textures of the massif, through a contrast of light and color.
A fascinating spectacle, being in the presence of such an imposing peak, while looking at it from a distance and from a high altitude.

This photograph has been taken from Rocca Calascio, about 20 Km far from the subject as the crow flies, during the sunset. This is actually a panorama made of 10 vertical frames, stitched together to form a 109 MPixel image. Another detail about this shot is that I’ve used a vintage lens, specifically a Pentax SMC 200mm F2.5, built almost 40 years ago and made of steel and glass (no traces of plastic, except for the focus ring), as a sort of technical challenge and to discover if it makes out well against the high tech modern lenses. On paper, it could not seem the best companion for natural landscape. I have to say I’m quite satisfied, even if it’s heavy and not weather sealed.

EXIF:
Camera: Pentax K-3
Lens: Pentax SMC K 200mm f/2.5
Focal lenght: 200mm
Shutter time: 1/20 s
Aperture: F/8
Sensitivity: ISO100
 

This photograph has been awarded at the following international photography competition:
– Honorable Mention in the 2020 edition of the ND Awards: “Great Horn” – Category Panoramic

 

Kings fortress

Kings fortress

“Kings fortress”. In the heart of Abruzzo, not far from the Gran Sasso massif, on the top of a mountain stands the castle of Rocca Calascio. A majestic fortification, the highest of the entire Apennine chain at 1460 meters above sea level, which dominates the surrounding landscape and watches over the valleys below.

Reaching the castle before dawn, from the village in the valley, is a fascinating experience in itself. Crossing the ancient village whose stone houses and the alleys are lit only by lanterns, and then finding yourself walking a snowy path that climbs up the mountaintop, makes you feel like you are in a fairy-tale.
The sight that you witness, once you reach the crest, is breathtaking: the eyes can see up to the horizon, in every direction you look. The distant snow-capped mountains, despite their majesty, appear small. Enveloped in surreal silence, the fortress emerges from the darkness; first as a silhouette, in the faint light of the blue hour, then as a clear and imposing figure that stands out above everything, illuminated by the brilliant and warm light of a winter sunrise.

Capturing this high-contrast scene required the combined use of a graduated ND filter and exposure bracketing. The filter alone, in fact, was not enough to reduce the brightness of the sky enough to allow the camera to fit the entire dynamic range in a single shot. However, it helped to minimize bracketing: in fact, two shots were enough, one exposed for the shadows and the darker mid-tones, while the other exposed for the highlights and brighter mid-tones. As a result, blending the exposures in Photoshop was smoother and more natural.

EXIF:
Camera: Pentax K-3
Lens: Sigma 10-20mm F3.5 EX DC HSM
Focal lenght: 10mm
Shutter time: 2,5 s
Aperture: F/8
Sensitivity: ISO100
 

This photograph has been awarded at the following international photography competition:
– Honorable Mention in the 2020 edition of the ND Awards: “Kings fortress” – Category Landscapes

 

Dawn at high elevation

Dawn at high elevation

“Dawn at high elevation”. View from the summit of Rocca Calascio, Abruzzo, at 1460 meters above sea level. The twilight reveals a snowy mountain range under a clear cloudless sky. Below, the villages are still illuminated by street lamps, waiting for the first rays of the sun.

EXIF:
Camera: Pentax K-3
Lens: Pentax DA* 50-135mm f/2.8ED [IF] SDM
Focal lenght: 50mm
Shutter time: 55 s
Aperture: F/7.1
Sensitivity: ISO100
 

The bliss of tranquility

The bliss of tranquility

“The bliss of tranquility”. A fleeting moment of perfect beauty in Sardinia, Italy. The bright and warm light of the sunset illuminates the clouds and, near the lakeshore on which they are reflected, some horses placidly graze.

EXIF:
Camera: Pentax K-3
Lens: Sigma 35mm f/1.4 DG HSM Art
Focal lenght: 35mm
Shutter time: 1/60 s
Aperture: F/8
Sensitivity: ISO200
 

 

Sunrise on the flooded beach

Sunrise on the flooded beach.

Sunrise on the flooded beach; Poetto seafront, Cagliari, after a day of heavy downpour and storm surge. The warm light of the sun illuminates the completely flooded beach, making the puddles shine, while the Devil’s Saddle promontory seems to float on a thin and bright line of salty haze.
Three filters were needed to capture this view: a 9-stop solid ND to extend the shutter speed to one and a half minutes; a 2-stop graduated ND to reduce the brightness of the sky; a circular polarizer to make the colors slightly more intense and to darken the portion of the sky at the top right, thus giving more prominence to the light of dawn.

EXIF:
Camera: Pentax K-3
Lens: Samyang 16mm f/2 ED AS UMC CS
Focal lenght: 16mm
Shutter time: 94 s
Aperture: F/7.1
Sensitivity: ISO100
 

 

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