Toward the totality

Toward the totality: total lunar eclipse in southern Sardinia, Italy.

Toward the totality. 2018, July 27th: the century’s longest total lunar eclipse occurs and, at the same time, the planet Mars reaches its opposition while it’s at its closest to Earth since 2003. As a result, this rare coincidence gifts us with a surreal and amazing night show.
Impossible for me to miss such a great wonder of nature. So, after some days of planning through the useful PlanIt app, I chose the beautiful Capo Carbonara, in southern Sardinia, to witness and capture the event. Not having with me a long tele lens, I decided to compose a particular scene, in order to show in a single frame the progression of the eclipse toward the totality, right above the lighthouse of Cavoli island.
Starting from about 21:00 to 23:00, I kept the camera steady in position capturing every phase of the totality every four minutes. Since the Moon has been inside the totality for almost the whole time, the arc drawn by it is colored with a vibrant tone of orange, differently from the “usual” eclipses in which this color is visible just for a few moments. Moreover, thanks to a clear night, the planet Mars has shone bright of a pale amber color.
During the totality, the Milky Way has been clearly visible at naked eyes. Nonetheless, my planning and my gears made me opt for a startrail, in order to emphasize the (real and apparent) movement of the heavenly bodies.

EXIF:
Camera: Pentax K-3
Lens: Pentax SMC DA* 50-135mm f/2.8 ED (IF) SDM
Focal lenght: 50mm
Shutter time: 0,8 s / 1 s / 1,3 s + 302 s
Aperture: f/3.5 + f/4
Sensitivity: ISO800 / 1000 / 1250 + 200
 

 

Stillness

Stillness, twilight time in southern Sardinia, Italy.

In the stillness of an hot midsummer day’s end, the twilight graces the sky with a pale and delicate gradient of colors. A lighthouse silently guards the calm sea. This soothing atmosphere, which seems to be timeless, lasts in reality just some minutes; however, the feelings conveyed by it last much longer in the eyes and the spirit.
To capture this fleeting moment, I’ve used a medium telephoto lens with two filters: a 3 stops ND which extended the exposure time enought to smooth out the water, plus a 2 stop graduated ND filter which darkened the upper portion of the sky, balancing so the brightness of the scene.

EXIF:
Camera: Pentax K-3
Lens: Pentax SMC DA* 50-135mm f/2.8 ED (IF) SDM
Focal lenght: 50mm
Shutter time: 30 s
Aperture: F/8
Sensitivity: ISO100
 

 

The sleeping Boat Eater

The sleeping Boat Eater: a minimalist seascape of an iconic lighthouse in Sardinia, Italy.

“Faro Mangiabarche”, literally Boat Eater Lighthouse is probably the most iconic lighthouse in Sardinia: its two-faced soul makes it a reference point to entrust the life to, but at the same time also an harbinger of ruin and death, because it rises above a wide formation of harsh and spiky rocks which barely emerge from the surface of the sea. Many boats have been “devoured” by this place during fierce storms. Therefore, in this photograph I depicted it as a sort of vision of a sleeping entity.

The story behind this photograph starts with my wish to capture a “classic” view of the lighthouse lashed by the waves during a stormy day. So, the first thing I did has been to check the period of the year with the highest chances to catch an “ideal” day. Secondly, after some wait, I’ve checked four different weather forecast services to be sure that the chosen day was the right one. Finally, excited and full of enthusiasm, I’ve headed to the much aspired subject. However, during my hour and a half itinerary, I had begun to notice that the sky was not promising; confident about the concordance between the forecasts, I didn’t lend weight to it.
When I finally arrived to the destination, I’ve been welcomed by an amazingly… flat weather: light wind, an homogeneous blanket of clouds and an almost dead calm. After an initial discouragement, while observing the lighthouse, I thought about its story and its peculiarity, and I’ve decided to interpret its figure not as a “life saver” which fights during a storm, but as a sleeping and resting entity ina time of quietness.

Moral of this story: in landscape photography there’s nothing taken for granted, even if you cross-check 4 times; so, it’s useless to obsess over a prefigured shot and stick with it, it’s better to be flexible and adaptable because in every situation there’s a chance to make a nice photograph.

EXIF:
Camera: Pentax K-3
Lens: Pentax SMC DA* 50-135mm f/2.8 ED (IF) SDM
Focal lenght: 95mm
Shutter time: 36 s
Aperture: F/8
Sensitivity: ISO100
 

This photograph has been awarded three times at the following international photography competitions:
– Honorable Mention in the 2018 edition of the ipa Int’l Photography Awards: “The Sleeping Boat Eater” – Category Architecture/Other
– Honorable Mention in the 2018 edition of the ND Awards: “The sleeping Boat Eater” – Category Special/Long Exposure
– Nomination in the 2019 edition of the FAPA Fine Art Photography Awards: “Boat Eater” – Category Seascapes

 

Boat Eater realm

Boat Eater Realm: a seascape of an iconic place of Sardinia, Italy.

Boat Eater realm. In the small island of Sant’Antioco, south western Sardinia, there’s a well known place for the presence of a lighthouse. This part of the island is often subject to strong winds and fierce waves, so much that many boats sank right near the lighthouse. In this glimpse on the coastline, in front of which the Boat Eater lighthouse stands, I wanted to show in a “dramatic” way the harshness of nature, whose riskiness is often underestimated.
Even if this shot seems like a normal portrait view, in reality is a vertorama, in other words a portrait oriented panorama: it’s the sum of four landscape oriented shots, starting from the foreground and ending in the sky. This technique allowed me to capture a wider view of the scene, that a normal wide angle lens wouldn’t have managed to take; as a result, the foreground starts just some centimeters beyond the legs of the tripod. Moreover, to extend the exposure time, I’ve used a 10 stops ND filter, as usual.

EXIF:
Camera: Pentax K-3
Lens: Sigma 10-20mm f/3.5 EX DC HSM
Focal lenght: 16mm
Shutter time: 25 s
Aperture: F/5.6
Sensitivity: ISO100

 

 

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