Last light on the fortress

Last light on the fortress

“Last light on the fortress”. Rocca Calascio, Abruzzo. The highest fortress of the entire Apennine range is illuminated by the last soft light, after sunset. The imposing and solitary aspect of the fortress stands out on the surrounding landscape but, in some way, it blends harmoniously with the mountain, as if it were part of it and of the rocks that characterize it.

The clear air of a cold and cloudless winter day makes the peaks of the Apennines to the south-east clearly visible, many kilometers away and colored by the shades of twilight, in a calm and dreamy atmosphere that precedes the darkness of the night.

To capture this view, a graduated neutral density filter has been useful: it darkened the sky and the elements on the skyline, making the brightness of the scene more balanced.

EXIF:
Camera: Pentax K-3
Lens: Sigma 10-20mm F3.5 EX DC HSM
Focal lenght: 10mm
Shutter time: 30 s
Aperture: F/9
Sensitivity: ISO100
 

 

The bliss of tranquility

The bliss of tranquility

“The bliss of tranquility”. A fleeting moment of perfect beauty in Sardinia, Italy. The bright and warm light of the sunset illuminates the clouds and, near the lakeshore on which they are reflected, some horses placidly graze.

EXIF:
Camera: Pentax K-3
Lens: Sigma 35mm f/1.4 DG HSM Art
Focal lenght: 35mm
Shutter time: 1/60 s
Aperture: F/8
Sensitivity: ISO200
 

 

Sunrise on the flooded beach

Sunrise on the flooded beach.

Sunrise on the flooded beach; Poetto seafront, Cagliari, after a day of heavy downpour and storm surge. The warm light of the sun illuminates the completely flooded beach, making the puddles shine, while the Devil’s Saddle promontory seems to float on a thin and bright line of salty haze.
Three filters were needed to capture this view: a 9-stop solid ND to extend the shutter speed to one and a half minutes; a 2-stop graduated ND to reduce the brightness of the sky; a circular polarizer to make the colors slightly more intense and to darken the portion of the sky at the top right, thus giving more prominence to the light of dawn.

EXIF:
Camera: Pentax K-3
Lens: Samyang 16mm f/2 ED AS UMC CS
Focal lenght: 16mm
Shutter time: 94 s
Aperture: F/7.1
Sensitivity: ISO100
 

 

Castelsardo magic

Castelsardo magic

“Castelsardo magic”. Sardinia, Italy. The ephemeral magic of the blue hour tinges the landscape of Castelsardo with a vibrant magenta, before giving way to the darkness of the night.

The peculiarity of this photograph is that it’s actually made of two shots taken at a distance of several minutes from each other while maintaining the position of the camera and the composition unchanged. The reason for this is the intention to merge the vivid colors of the blue hour and the lights of the town into a single image.
In fact, in the first shot, the scene is bright, colorful and detailed, but the town is “switched off” and a little flat and dull. So, after this first long exposure, it was sufficient to wait for the time the urban lighting was switched on and take a second, shorter shot.
By doing so, it was possible to obtain a more vivid and brilliant scene: the fortress on which the Castel dei Doria (or Castel Genovese) stands is illuminated by spotlights that highlight the texture of the rocky wall, while the coastal tower of Frigiano is illuminated by a magenta reflector, like the color of the sky. The street lamps and the lights of the houses accompany them. The atmosphere is completed by reflections on the still water of the inlet.

To merge the two shots, it was necessary to elaborate them in Photoshop, setting the first file of the blue hour as the base layer and the second file with the lights on as the upper layer. So the blending mode of the top layer was set to “lighten”. In this way, each brighter pixel was superimposed on that of the lower layer, thus obtaining a final image composed of 99% by the base layer, plus the small portions of the upper layer related to the lights of the town.
The only slightly tricky step was the method of blending the reflections on the water since they required a soft, natural gradient. To do this, it was necessary to reveal a further portion of the upper level, darker, relating to the water of the inlet, through a special handmade mask. In this way, with the slightly darker water, the reflections on it of the lights were brighter, maintaining, in any case, the naturalness and realism of the whole scene.

EXIF:
Camera: Pentax K-3
Lens: Sigma 10-20mm F3.5 EX DC HSM
Focal lenght: 14mm
Shutter time: 20 s
Aperture: F/5.6
Sensitivity: ISO100
 

 

Blue mirror

Blue mirror

“Blue mirror”. The blue hour fills the sky above Cagliari with vivid and deep colors, while the warm light of the set sun fades, disappearing behind the clouds and the horizon. The running clouds and the skyline of the city, in which the Sella del Diavolo can be recognized, as well as the many lights and street lamps of the Poetto seafront, are reflected on the shiny surface of the Molentargius pond.

This observation point, in addition to being appreciated by birdwatchers due to the proximity to the flamingos that feed and nest in the area, often offers beautiful views to those who love landscapes.
Thanks to the vastness of the salt pond, free from architectural visual impediments of the city, it is easy to enjoy spectacular sunsets, especially in the case of particular climatic conditions. In this case, immediately after a downpour, the clear sky has given great visibility (you can even glimpse the mountainous elevations of the Capoterra area, about 20km away as the crow flies). Moreover, the clouds still present have drawn soft and sinuous shapes in the sky (among which the one in the center of the frame could recall the silhouette of the Sella del Diavolo promontory).

To take this shot, I’ve used two filters. A 2-stop graduated ND filter helped to reduce the brightness of the sky on the horizon, and a 6-stop solid ND filter allowed the camera to extend the shutter speed to over 2 minutes. In this way, the global brightness of the scene is better balanced, while the surface of the water is free from even the smallest ripples, and the movement of the clouds is emphasized.

EXIF:
Camera: Pentax K-3
Lens: Samyang 16mm f/2 ED AS UMC CS
Focal lenght: 16mm
Shutter time: 125 s
Aperture: F/7.1
Sensitivity: ISO100
 

 

Salar de Cagliari

Salar de Cagliari

“Salar de Cagliari”. A clear sky, studded with clouds that have recently brought a downpour, is mirrored on the shiny surface of the Molentargius salt ponds, during a sunset with vibrant colors. A scenery like this has many elements in common with the wonderful Salar de Uyuni, but in a smaller version, in beautiful Sardinia.

EXIF:
Camera: Pentax K-3
Lens: Samyang 16mm f/2 ED AS UMC CS
Focal lenght: 16mm
Shutter time: 1/4 s
Aperture: F/8
Sensitivity: ISO100
 

 

Sa Stiddiosa waterfall

Sa Stiddiosa waterfall

Detail of the waterfall of Sa Stiddiosa, sardinian name that means “the dripping”; the reason for this name lies in the conformation of the waterfall itself, a vertical rocky wall on which the water flows in random directions and which, before falling into the pond below, crosses a multitude of Maidenhair ferns. Sa Stiddiosa is a natural corner of paradise located along the Flumendosa river in the Sardinian backcountry and, to reach it, it is necessary to take a very steep path inside the wood.

EXIF:
Camera: Pentax K-3
Lens: Sigma 35mm f/1.4 DG HSM Art
Focal lenght: 35mm
Shutter time: 1/50s s
Aperture: F/4
Sensitivity: ISO400
 

 

Grasping tightly

Grasping tightly

Grasping tightly. On the edge of the path that goes into the wood, some trees have grown on the edge of a rocky slope: with their thin and knobby roots, they search for a safe hold between the fissures of the rocks’ layers, in order to reach the soft and penetrable soil. The combination, both visual and of matter, and the interpenetration between the resistant, living wood and the hard mineral fascinates me because it somewhat shows that in nature there is no real “incompatibility”.

EXIF:
Camera: Pentax K-3
Lens: Sigma 10-20mm f/3.5 EX DC HSM
Focal lenght: 10mm
Shutter time: 1/30s s
Aperture: F/5.6
Sensitivity: ISO200
 

 

A safe path

A safe path

A safe path. The high and diagonal light of the early afternoon filters through the trees, illuminating the small path that goes into the wood.

EXIF:
Camera: Pentax K-3
Lens: Pentax SMC DA Series 50-135mm f/2.8 ED IF SDM
Focal lenght: 50mm
Shutter time: 1/40s s
Aperture: F/5.6
Sensitivity: ISO200
 

 

Path into the beechwood

Path into the beechwood

Path into the beechwood of central Italy Appennines. Has it ever happened to you to go into a wood and have the feeling that the small path you are walking holds a nice surprise for you beyond where your view arrives?
In reality, every step inside a majestic beech forest brings with it amazement and wonder because, after all, it is like walking in an enchanted place.

EXIF:
Camera: Pentax K-3
Lens: Pentax HD DA 20-40mm f/2.8-4 ED Limited DC WR
Focal lenght: 20mm
Shutter time: 1/13s s
Aperture: F/8
Sensitivity: ISO200
 

 

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